This publication surveys Simon Ingram’s practice, which, since 2005, has entailed an extended exploration of what he calls ‘painting machines’. Ingram required a publication to document this development and provide critical context. A structured yet flexible approach to layout and typography supports casual time-based documentation content, formal documentation and texts in two languages. The typeface Replica resonates with the work — a contemporary take on a modernist paradigm. Edited by Christina Barton and including essays by Margit Rosen, Michelle Grabner & Susan Ballard. Published by German Art book specialist Kerber Verlag.